It’s cold and I’m rewriting a novel. I have no thoughts to spare. Arguably, at this point I have no thoughts at all.
That said, here is one thing in general that I have loved this last month–MYSTERY– and three things in particular.
Nina Simon’s Mother Daughter Murder Night. A fairly low stakes mystery–I wouldn’t really call it a cozy, though I have seen others do so–that shines because of the characterization. I loved that the mother and daughter have a fraught history between them, but that the author doesn’t take the easy route out and tar one of them as “villain” and the other as “wronged”. They’re both stubborn women who know how to fight, and the third member of the trio–the grand-daughter–is just like them both. One of the dangers with amateur sleuths is that often it feels too forced or contrived that they would be able to solve the case, especially when there are police involved. Here, the women are placed in good position to find out what they need to know to beat the police to the solution. The mystery holds up all the way through and was just a pleasure to read.
Death & Other Details on hulu. There was little to no chance that I wouldn’t watch this given the glut of advertising, Mandy Patinkin’s role, and my fondness for mystery. But I really loved the first three episodes: the writing is exactly to my taste, the clues are doled out well, the time jumps are interesting, and I feel like the mystery is going to play out properly–surprises, but surprises that we will have been set up for. That’s the big thing in mysteries, right? That we have faith in the writer. That they’re going to tell their story well, laying out the clues in the right way, and not randomly ambushing us with bullshit twists for the sake of twists. I am grateful to Knives Out and Rian Johnson for proving that mysteries can be well-plotted and profitable again (and probably to a lesser extent Kenneth Branagh’s Hercule Poirot outings, which were not faithful to Christie’s books but were still intriguing.). More mysteries please! With the classic form of the amateur detective–the well-respected private investigator. As a side note of no importance, I do love the name Imogene. I hope to see more from the writing crew of Heidi Cole McAdams and Mike Weiss.
In the same vein, I have just this moment started A Murder at the End of the World, and so far, it has the same quality as the above: writing that feels confident, an actor who is compelling, and an amateur sleuth I immediately want to root for. If it turns out to be bad, don’t tell me! I’ll just be disappointed.
A fourth thing, tangentially related: Mystery, yes; amateur sleuth, no. In this instance, The Puppet Show by MW Craven was a really interesting police procedural of the type I like: the protagonist is not without his (significant) flaws, but never to the point where you wonder, how on earth is he even capable of detecting? It is also, despite its very dark subject matter, not unrelentingly grim. I enjoyed it and because for once my library has let me down, bought the second book online.
lane robins 