Two delightful things

Pretty much what it says on the tin: two pieces of entertainment that made me happy.

First, Ms Marvel. I started watching this with an increasing sense of irritation, because I kept thinking “I’ve seen this before. OMG, who did they borrow this from?” before I <headslap> realized, duh, they borrowed it FROM THE GRAPHIC NOVEL by G. Willow Wilson, which I had read. Then I went back and really enjoyed it. I loved the young actress’s enthusiasm for the character. Marvel usually does really well with casting and this show wasn’t an exception. I loved her friend Nakia, trying to make herself heard in the mosque. I even mostly liked Bruno, minus his moping crush on Kamala. But that’s me. I hate that trope. It’s like why can’t they honestly be friends, instead of one oblivious and one pining. Urgh.

There were lots of plot moments, especially toward the end, where I was left scratching my head, going, wait… How/what/why/Huh? but really, it didn’t matter much. This was a show about Kamala finding her place in her family, in the world, and in history. And those elements were all perfect. I really enjoyed it. So far, out of the marvel series on D+, my favorites are WandaVision, Hawkeye, and Ms. Marvel.

Ms. Marvel is pretty formulaic–following the typical disney AND marvel arc–but you know, that didn’t mean it wasn’t really fun to watch.

The second piece of entertainment that I absolutely adored was Emily Henry’s Book Lovers which is a contemporary romance. I can really only talk about it in superlative fragments. The dialogue! The characterization! The humor! The good nature of it all! It’s all the things I love about romance novels, with none of the things I hate about them. There are no forced misunderstandings. There are no moments where the characters lash out and hurt each other for no good reason.

It’s really a clever book, self-aware of all the romance tropes, highlighting them, and inverting them. Sometimes subtly–her sister is NOT her source of support and the one she goes to for advice; sometimes overtly–Nora, the heroine tells the reader straight off that if life were a hallmark movie, she is the obstacle to true love, not the person who deserves it. Readers who like Jennifer Crusie should adore this. And it is so funny! I had the hardest time not reading sections aloud to my roommate. Considering it was her book that I had stolen from her To-Be-Read pile, it seemed like the least I could do. But oh, it was hard. I kept putting it down after chapters and laughing to myself, stretching out the reading.

Just… delightful! Both of these are really recommended.

Two delightful things

Dr. Strange and the Multiverse of Madness

So, the first thing you should know is that I had zero intentions of watching this movie because Dr. Strange is just not my jam. He comes across as Magical Tony Stark without the heart (to me! If you love him, so be it! That’s great and I’m glad you do!) I am just saying, I found the first Dr. Strange movie a slog–though I did love the confrontation at the end that basically required the big bad to find Dr. Strange as irritating as I did.

I didn’t see No Way Home–I wasn’t doing theaters. I’m still not doing theaters since I live in a community that is happy to consider covid as something firmly in the rear view. But Dr. Strange MoM showed up on Disney plus and well, I decided I could always turn it off and walk away if it annoyed me too much.

Just so you know, from here on there are spoilers. I am usually the last person to see a movie, so I rarely worry about spoilers, but, if you have also been avoiding the theaters, etc…. Here is your spoiler warning.

As I started, I thought, oh goody a video game montage. This was not a propitious start. Selfish Strange, monsters, weird jumping setting, helpless damsel…. Then Strange woke up and I thought oh, yeah, I am not going to be able to watch this.

The thing about Dr. Strange is that he always strikes me on screen as utterly artificial, like a plastic Ken Doll. I don’t know if it’s because of Benedict Cumberbatch’s American accent (which to be fair is good, yet…. not quite natural), or if it’s the silly white streaks in his hair (which just always looks like someone has painted already fake black hair with some chalk spray) or the whole… staginess of him. I suppose that is appropriate for a “sorcerer” to be stagey. Either way, it was late, I was inert, and there was a cat on my lap. I kept watching.

Hey, the tentacle blob monster! I liked that! Okay, I liked one specific thing about it. It reminded me of the ridiculously gross toy I had as a child–the Wacky Wall Walker. Those were the weirdest, gummiest, most distinctive toys ever, and the way they slobbered down walls, sticking and falling is embedded in my memory, and here was a giant one! So that was fun. And Wong! I love Wong. More Wong!

Then we get plot, yadda yadda, dead Stephen Strange, which… why don’t I like Benedict Cumberbatch in this role??? I just don’t. He should be funny, with his dry comments and snark, but he just sounds contemptuous all the time. So yeah, the “Kid” comments which I think are supposed to humanize him, just make him sound like he can’t be bothered to recall America’s name.

And then there was Wanda.

So this is the other GIANT GLARING REASON I didn’t want to see this movie. I love Wanda. She’s a complicated character, driven by grief and with enough power to try to “fix” things. WandaVision was the series I was least interested in seeing, yet it rapidly became my favorite. I don’t mind that she’s motivated by “motherhood”. What I minded was that this was going to be the same lesson that she learned in Westview all over again, which… either says the character is dumb and has to make the same mistake more than once, just with bigger consequences, or is designed to supplant the show I enjoyed. They seemed to try to split the difference which was a big ugh from me. Wanda’s villain arc here is completely based on the series; she and Strange even discuss that she learned better. Except she hasn’t. And then I wondered, why the hell she didn’t just magic up her kids again? Whatever.

The show writers tried their best, I think. Showing that other people have their own losses and grief and haven’t torn the universe apart trying to find what they had lost. But still…. Basically, any of the plot points that required me to think about Wanda’s motivations just got me irked. I do love Wanda and I did love her being the Big Bad–being reasonable–so as long as I didn’t think about it, I enjoyed her on the screen.

I did like all the multiverse shenanigans, surprisingly, though they also made it hard to feel that anything had real consequences. Sure, kill Captain Carter; she’ll be around in other universes. And Zombie Strange was a delight with his cape of angry souls. Go Zombie Strange!

America was… fine. The actress is engaging; the character had nothing to do. Since I’m not familiar with her from the comics, I don’t actually know how “useful” her power is as a superhero. Seems like they don’t want people messing with the multiverses so… she can’t use it much? I will wait to be wowed.

But Wanda…. JFC. It still makes me cranky. She is blamed (rightfully!) for Westview. She is villainous! Fine. Except superhero comics and movies are always so arbitrary about tagging someone a villain or a hero. (I am still extremely bitter about Karli Morgenthau and John Walker from The Falcon and the Winter Soldier.) Other Strange destroyed one universe, and his own people had to kill him. Wanda killed a bunch of superheros and defenders of Kamar-Taj, then threatened another universe and had to die. (Die, ha! This is super-hero land.) Wanda uses the Darkhold to dreamwalk and that’s EVIL. Strange uses it and desecrates a corpse and that’s THE ONLY WAY. She calls him out for being a hypocrite and she’s right. She does bad things and self-immolates. Strange causes another incursion which threatens the lives of another entire universe and gets a cheeky wink from Charlize Theron and an invitation to help her fix it. Two different standards is all I’m saying.

Well, that, and these superheroes really need therapy.

Dr. Strange and the Multiverse of Madness

The Haunting of Ashburn House

I just finished Darcy Coates’ The Haunting of Ashburn House and I have thoughts. This is the first book of hers that I have actually read. I have sampled several and each time sort of said, eh, not for me. I am picky.

This one sounded up my alley–sudden inheritance at a perfect time, deep, dark family secrets–and the protagonist Adrienne is sympathetic. I expected to love this book like crazy. In the end, though, not so much.

I loved so many elements here: her great-aunt Edith’s creepy messages to herself carved into the walls, the tables, even her bedframe. I loved that the locals were actually kind! Coates didn’t go for the easy “isolate the heroine by making everyone dislike or distrust her”. I think that worked really well, because it makes the horror feel more powerful if there are allies and they can’t actually help. Coates did a good job of explaining away the usual accoutrements of modern life: no car for Addy, no cell phone–she’s too broke to own them. And not just the usual novel-excuse broke: actual broke. $3.47 in her bank account and a $20 bill in her purse. She’s homeless except for Ashburn House.

My absolute favorite element kicked in early when as twilight descends, the entire forest around her house (because of course Ashburn House is isolated in a forest) goes eerily silent. What’s worse than a forest falling silent all around you? When it erupts with terror–all the wild animals shrieking, her house cat Wolfgang shrieking, her own panic rising. I loved it.

I think this wonderful element, which plays out over three nights, is actually the strongest, most creepy, aspect, and that’s why I didn’t love the rest. Sounds contradictory, but all this amazing terror and the natural world shrieking in panic and outrage, and then…. everything that comes after is just less for me. Oh, it’s an evil ghost/zombie thing. I’ve seen you before.

And once the evil revenant makes the scene, matters narrow down from this enormous world-shaking event to the usual story line of “will the heroine survive?”. At that point, all the carved words that Addy has been ignoring start to feel like an exercise in is this heroine too stupid to live?

A carved message in the kitchen table that says IS IT FRIDAY LIGHT THE CANDLE is understandably ignored when the ominous factor is some unseeable force in the woods. It’s a lot less so when there is an actual evil intruder trying to get inside. Have some common sense, Addy! But no.

There are a couple of issues that really sort of splatted the ending for me. First, that the haunting starts to get more scattershot. The forest erupting in panic is wonderful. The revenant is… horror movie creepy. But then we start getting bleeding paintings and ghosts in the mirrors and it all just sort of becomes horror movie 101. I kept sort of mentally comparing Coates to Kingfisher. I find T. Kingfisher’s horror novels more effective because she really keeps her focus on a specific horror and the way it affects her heroine/the world. There are no distractions from the main thrust of the horror.

The second issue that weakens the ending for me is that Addy–just after the climactic moment–finds the letter her great-aunt left her explaining every single thing in detail. The fact that she didn’t find the letter until late in the game makes sense, but it was just too much explaining all at once: history of the family, the revenant’s identity, the source of its powers, its weaknesses, and so forth. It’s like an entire short story of its own and I really would have loved to see more of it slipped in throughout the book. Coates has Addy research the house and her family, but hit nothing but dead ends. She survives through sheer grit and dumb luck.

So, while I enjoyed reading it; my interest started out stronger than it ended. I turned the pages more eagerly in the beginning than at the climax. Would I read another of her books? Yes. I have my eye on From Below.

The Haunting of Ashburn House

Thinking Things

Pretty much what it says on the tin: things that I have been thinking about this week. All shallow things. Politics is not really “thinkable”; right now it’s mostly choppy angry emotions and distress.

But! It has been SOOOO LONG since I hit the blog that hey, it’s rolled out entirely new ways to make entries. I can’t remember when my last post was–I could look back and find out, but I don’t see the point. It was early pandemic or pre-pandemic or before I lost all sense of time and place because all I have done for the past couple of years is slowly reach burnout.

Spiders: I’ve been doing a lot of thinking about spiders, because I have a resident jumping spider. Harmless, kind of cute, remarkably social and fearless for a creature the size of my pinky nail. It’s taken up residence in my upstairs bathroom, which, yeah, not ideal, but again…. harmless. It’s fascinating though to really contemplate because that spider tends to perambulate the entirety of the top floor daily. For me, it’s about fifteen steps (I have a small house), but for a spider? The damn thing is doing a marathon every single day and at speeds that would make humans weep if we calculated relative speed. Plus, I have to wonder, what does it think about us, the humans? We’re mountains that move. The size differential is so enormous I can’t even contemplate it. I’m like…200% bigger than it. Yet it comes out to greet me and wave its forelegs. The other day, I was walking past the bathroom, and it hitched a lift on my foot as I walked. Then happily hopped off once I reached the study. We’re… what? Moving mountains, weirdo giant transports? So very strange. Animals are weird enough all on their own and then you start thinking about them in interaction with other creatures and it’s a whole new ballgame of weird and wonderful.

Talking buttons for pets. Wow, I have been obsessing about these things. Do they work, do the dogs actually use them to communicate their basic thoughts or is it just a series of learned behaviors…. And while I’m contemplating that, my brain runs into the nightmare scenario of well, what if they do use them to communicate? What if we get sick of the “chatter” and just take the buttons away? I can’t…. that seems like a bad thing to do. Here you go, dog, learn to communicate in this way, but hey, the batteries are dead, or you’re talking too much, or I keep tripping over these buttons–let me just get rid of them? Maybe it’s because of politics, maybe it’s because of the book I am STILL revising, but taking away someone’s or something’s voice just strikes me as a moral atrocity. So… I’m not getting those buttons? But is that really any better? Or is it just dodging the issue?

Once I wrote an sf story about a woman whose brain was implanted into a dog (because of reasons) while she and her team members were exploring an alien planet. By the time she figured out how to process her new senses, and recognize a danger to them all (DOGI smells water!), they had gotten out of the habit of listening to her–primarily because her only method of communication was pretty much talking buttons. Nightmares.

World-building. I am at the danger point in the new book (not the book under revision) where the world-building starts to have contradictions. I kind of love this stage because to me, trying to figure out ways that these contradictory things can all be true makes the world feel more real to me, rather than a cut-out template where all magic is XYZ. I like a little mess in my magic, even if it slows the writing down.

Burnout! I ran away from my day jobs. I have given myself a carefully budgeted sabbatical. Naturally, the big cat promptly developed diabetes. Of course he did. But he’s doing better, and I’m doing better even if my sabbatical is not going to be the full three months I had originally intended. I wish that UBI was an actual thing in this country.

Saw a super sad bumper sticker the other day. Red truck with a tiny printed sticker that said, simply, I miss my dog. Nearly sent me into tears. Because yes, their lives are short and even though mine are healthy, I, too, at some point in the not-so-far future will miss my dog. There are dogs I still miss. And the damn pandemic has pretty much trained me to look forward and only see loss. I am working on that. Generally, the pandemic has made me goosey about making plans (why bother, they’re only going to get disrupted!) and about being hopeful (I’ll only be disappointed. Seriously, every single time I managed to be genuinely happy in the past two years, something rose up and smacked me down HARD.) or optimistic.

But in the meantime, there are good books to read. Good books to write! And adorable pets. Who are not dead yet.

Thinking Things

More January Recommendations

January 2021’s being nice to me or I’ve just hit a lucky streak with enjoyable books. Last time, I talked about two good books; this week I’m going to talk about two even better good books.

So, Piranesi by Susanna Clarke. Naturally. I was a fan of her writing in Jonathan Strange and Mr. Norell, so of course I perked up when I heard she (finally) had a new book coming out. Then I heard the premise: strange amnesiac caught in a house/world/labyrinth and thought eh, maybe not. But I checked it out of the library (LOVE THE LIBRARY!) and started it with some trepidation, expecting to find the narrative voice of Piranesi hard-going.

It’s not. There’s a gazillion capitalized Nouns for Reasons, and tons of seemingly random fantasy descriptions, sure, but I just sort of fell into it. Piranesi’s voice is enjoyable because he’s just so good-hearted, so willing to find the good in the world of the House full of ocean. By the time it becomes clear that this is a book about academicians run amok (love those! Ever since Tartt’s The Secret History.) I was really hooked. I read this straight through.

What I really loved about it is the strange kindness of this book. The theme of being an appreciative part of the world around you. To say more would be moving into serious spoiler territory so I’m stopping here. But it was a delight to read. And it made me revisit Giovanni Battista Piranesi’s etchings of ruined cities again. Beautiful art, which inspired a beautiful book.

My second “excellent” read of the week is all about the execution of the idea. Kate Alice Marshall’s YA novel Rules for Vanishing, has a premise that seems appropriate to any teen scream movie–a lost girl on a ghost road that only appears on certain nights at certain times, and is only traversable if you follow the rules. And even then, there are snares. It’s told as a series of transcripts, journal entries, texts, etc. Again, I can’t talk too much about it without spoilers, but Marshall has just constructed a really well-made horror novel (with a hopeful ending! thank you!).

Lots of nightmarish horror imagery but nothing that really squicked me. The characters are archetypes but still engaging, and the horrific core of the ghost road was really satisfying here. I am looking forward to her next release Our Last Echoes.

As a side note, I am apparently really slow when it comes to certain types of visuals–the face/vase illusion gets me all the time. And it took someone pointing it out to me that the cover of Rules for Vanishing had that type of illusion. Either a road surrounded by trees, or a girl’s figure in the trees. Yeah. Good job cover artist! Sorry it took me so long to appreciate it!

Girl?/Road? Can't be both;brain does not compute
Girl?/Road? Can’t be both;brain does not compute

Both Piranesi and Rules for Vanishing came from my local library, but I’m going to buy copies to add to my already groaning shelves.

More January Recommendations

January Recommendations

One book to recommend, and one author (and her books) to recommend.

I finally got around to reading Alexis Hall’s Boyfriend Material, and it is exactly as charming as all the reviews say. But it’s also got protagonists with genuine problems slowly working their way to bettering themselves. Luc is the proverbial train wreck, but he’s a self-aware train wreck which keeps him readable. And Oliver’s issues are slipped into the story so slowly that by the time he reveals how very not all right he actually is with his life, it’s devastating. But overall, it’s just a joy to read, balancing angst with ridiculous good humor. I particularly loved Luc’s co-workers, super-posh Alex Twaddle, and displaced Welshman Rhys. Alex fits right in with Wodehouse’s upper class, and he’s a delight on the page.

I also read Half a Soul by Olivia Atwater, then immediately turned around, bought, and read Ten Thousand Stitches, then pre-ordered Longshadow. (October 2021–so far away, are you kidding me?!?!? Wah!) These are nominally regencies, but in a very fantasy fairy-tale style. They’re romances, but sensible ones in the vein of the Patricia Wrede & Caroline Stevermer Chocolate Pot series. What I particularly loved about them is the kindness and decency at their core. They’re really akin to Terry Pratchett in that way. In one of his books with the witches, Pratchett had a bit that went something like “Sin is treating other people like things.” which really spoke to me. And so far Atwater’s series is built around treating people with kindness and dignity and respect. The first book is a screed against the injustice of the regency era workhouses and the willful blindness of those people more concerned with pretty manners than with justice. It’s also got one of the most gleefully cinematic romantic ballroom scenes I’ve read in ages. The second book is concerned with classism, poverty, and justifiable anger as a virtue. It’s also got a feckless fairy lord who’s trying his best but doesn’t really understand humans at all even as he decides to “help” maid Euphemia Reeves win the heart of her employer’s handsome son.

January Recommendations

The Tenth Girl – Not so slow read wrap up.

So The Tenth Girl.

The slow read part collapsed due to a combination of two factors: the book has to go back to the library and the middle just… dragged for me, which made it too easy to put down, but not so easy to pick up. I decided to blitz through the rest.

Some highlights of my reading experience from chapters 19 on…

What do you mean Sara left Mavi a note written in Old English?  I’m reasonably certain she did not!  Though if any language had the ability to write “you are all fucked” concisely, Old English (the language of Beowulf) would probably be it. But maybe gothic style lettering? It’s a head-scratcher. Oh wait, Faring says “old english lettering” so my bad. It’s calligraphy not language.

Yesi and Mavi realize that the Others are possessing the nice lamb-like teacher and using him to assault the girls while they sleep. Yesi wants to report him to Carmela, but Mavi doesn’t, because she recognizes possession when she sees it now.

Angel is driving Dom to contemplate suicide by leaping off his balcony. Dom is wasting away, drained by Angel’s possessions. Angel feels guilty but is absolved by realizing that oh wait, it’s another Other inside of Dom making him want to jump. And that this is probably what happened to the missing girl Luciana. Possessed and jumped.

Basically, at this point, anyone can be possessed and piloted by any Other and the building is falling apart around them. “Dom” confesses to Mavi and she decides after some guilty deliberation that she doesn’t care. She likes Angel.

Mavi attempts to leave but the storm drives her back to the dubious shelter of Vaccaro house. No one is leaving.

This whole segment starts to sluggishly degenerate along with the house. The building molds; the food rots; the walls seep; the girls sleep and get sicker.

It’s weird the thing that hooked me back into interest. I realized around chapter 24 or so that I’ve been anglo-centered this whole time. I assumed Angel was a girl’s nickname! Ha, dumbass me. It’s not like there are hundreds of cultures where Angel is a boy’s name. So yeah, Angel is a boy. And weirdly that caught my attention, because if I misread that, what else might I have missed?

So the building starts to not only degenerate but to rearrange itself. Things get worse.

And then we get all the revelations all at once. Some good, some bad, some pointless.

I didn’t like Carmela’s info-dump of her personal history, lined out and spat across the page. I really didn’t like it when that was followed by a two page wall o’ text about Morency’s life and history. These were really aggravating and that was BEFORE the big reveal.

Before Angel confesses to Mavi that this whole school, the whole world, all of the students and their lives and so forth is just… a video game.

Okay, so this is not my favorite reveal ever for a couple of reasons. 1) it makes all their lives seem valueless. 2) it makes the infodumps of Morency and Carmela’s history that much less interesting because none of it matters. They’re written the way they are; it doesn’t matter why. And a bonus 3) it’s kind of a familiar trope.

On the other hand, some things improve on learning that this is all a game: the Zapuche stereotype somehow seems more forgivable as a bad premise for a horror video game. It’s about the setting, not about reality.

Mavi’s earlier heel-turn on “Dom is Horrible!/I must follow him around like a dog” makes much more sense if her attraction to him is part of the program.

And most importantly, Faring does things with this reveal. It’s not just oh no, we’re all programs. She decides that if they’re learning AI personalities then maybe just maybe they can swap places with the Others and get out into the real world.

It’s not like the Others are a loss to humanity, she suggests, deliberately playing a game known for indulging sadism and pedophilia. Torturing people over and over again is still evil even if it’s digital.*

So I’m interested in the Great Escape.

Other reveals go better: I thought the revelation of Charon being Sharon, a sort of family “friend” worked. Not only was there the gender bias upset (again! I need to pay more attention): that this foul-mouthed gluttonous troll was a female programmer with painted toenails. But that Charon was in fact the Tenth Girl, the little ghost girl being her avatar in the game.

After Mavi goes through the somewhat standard “hey, let me self-mutilate to prove we’re not real and can’t die”, it was engaging to watch her and Yesi rally the troupe, in an attempt to save each other from this nasty little fate that they never quite remembered, but had to suffer through over and over.

I liked the “game reveals”: Yesi’s novel turning out to be a listing of player scores. And hey! That’s what Angel’s chapter numbers are about. Experience points! You can tell I’m not a gamer of any sort.

I liked that the number obsessed math teacher was mumbling digital passcodes for the players.

As expected, Angel’s Painful Past was disappointing. And kind of swept under the rug very quickly. Oh, Angel accidentally killed his beloved baby brother in a tragic event. Oh, his sister hates him for it, except a few heart-felt words and suddenly she’s on his side? What about the borderline abusive husband? It doesn’t seem to matter: everything is looking up for Angel.

*When it turns out that Angel’s mother and her business partner Sharon built this game… I have to wonder if she was as compassionate as Angel remembers her being. I know that the art is not the artist, especially in a collaborative work, but still. I side-eye Angel’s dead mother. Her building the game makes sense in that it’s a good reason for Angel to decide to play it—a last attempt at getting closer to her. But personality-wise, it felt off. I would have liked more here and less about Angel’s loop of grief/guilt. I think there’s enough cues to suggest that Angel’s mother came up with the game, showcasing pieces of her own Argentinian past, and had her ideas twisted by Sharon in the name of money. Since Angel’s mother was beset by medical bills that she would leave her kids… Sure, I’ll go with that.

I had some plausibility issues with the Code escaping the Game to possess the players, but it felt like satisfying turnabout in concept, so I ran with it. Though then I’m stuck wondering—how do all these teen girls feel now that they’ve been shoe-horned into the bodies of old, white pervert men? (Not Mavi though; she ended up in Sharon of the painted toe-nails.)

Anyway, in the end, I’m glad I pushed through. There was a lot of writing that I really loved in the book, and some fun, chewy concepts. I enjoyed Dollhouse (though I know many people did not for valid reasons), and some of this reminded me of that concept: the “toys” developing their own personalities even after being erased. The concept that experience goes to the core of someone, even if that someone, in this case, is bodiless.

I still miss the haunted house story I thought I was getting though.  Sigh.

The Tenth Girl – Not so slow read wrap up.

The Tenth Girl: Slow read chapters 14-18

One of the difficulties with slow reads is that my interest slows too. I think, because I’m a writer, I am geared to be looking ahead all the time, and when I put the book down after a couple of chapters, my brain keeps working on it.

Part of me is trying to write the ending I expect.  Or the confrontations I’m imagining. Or the horrors. And then I have to pick up the book again, and it’s a little disorienting, because wasn’t I past that point??

But I think I’d have had some slow down with this book anyway, because the alternating chapters are getting to me. I’ve done alternating chapters in books and there’s always a point where you’ve finished with protag one’s POV, and protag two has… nothing really going on yet. But you can’t skip time to the next interesting moment in protag 2’s life because that leaves 1 out of whack, and yet your brain also tells you that you can’t skip the alternating chapter because that’s the rhythm you’ve established and the reader will be confused…

I am here to tell you SKIP THE BORING CHAPTER. Have two chapters in a row from protag 1; the book will not collapse from the breaking of the pattern.

I am still far more interested in Mavi’s segments than Angel’s. I don’t know what Angel’s situation is (still); is she a ghost? Is she dead and her spirit visiting the past? Is this her personal hell (for committing some unspecified act of violence) or is this a chance at redemption? Is she even really a ghost? Spirit/Specter/Other… I can’t shake myself of the feeling that Angel is a technological mystery not a magical one. So then I start thinking about Stuart Turton’s The 7 ½ Deaths of Evelyn Hardcastle where the (SPOILER!) whole endless time loop is a literal prison/punishment for criminals, where the possibility of parole is dependent on them preventing a crime. I’m not actually sure Angel is dead—she may have just been disconnected from her mind. Yet she needs to feed, which suggests some sort of biological component, yet the “food” is memory.

Hmm.

Too much mystery surrounding Angel and not enough answers. It’s distracting me and not in a good way. But that’s when I’ve stepped away from the book. When I’m actively reading it? Faring’s writing is pulling me along.

Chapter 14: Angel 2020-1400 

Wait, do Angel’s numbers correspond to chapters?? Hmm. Not evenly.  I tell you, these chapter numbers need to mean something or I’m going to be put out. Of course, other readers may already understand it and I’m just slow. If so, tell me! 

The school is rotting around them.  Not metaphorically.  I kind of love that. Yes, some of it is the age of the building and the lack of maintenance, and some of it is the encroaching dampness of the ice fields. But a lot of it seems to be castoff from the curse.

Have we talked about the curse on the school yet? No, probably not, because I’m not loving that general premise: The gist being that the local natives (imaginary Zapuche, not real-world Mapuche) cursed the European interlopers with evil spirits that must be satiated by the sacrifice of a girl (it’s always a girl, always a young girl, hint hint virgin, so that’s an eyeroll).

The last time they skipped the sacrifice, the residents of the school died. And now these new residents need to make a sacrifice and either don’t know about it, or are planning to sacrifice someone out of Mavi’s earshot.

I have issues with this premise. I don’t like the evil natives aspect. I don’t like that they screwed up their vengeance and made it too strong. I don’t like the sense the book gives that the Zapuche revenge for their decimation is disproportionate and that the Zapuche were wrong to lay down the curse. There’s a lot of discussion of savages, which is a nails-on-the-chalkboard word when it comes to the indigenous people of the Americas.

And of course, the house on cursed native land is just very, very familiar (also not in a good way).

Which leaves me with disliking the premise of the curse even as I like the effects of it. And the Others really are insanely creepy.

Back to Angel and oh yeah, the reason this chapter brought on the rant about the curse. Because Angel learns the last time the curse took over the school, the girls that were sacrificed—were the native servant’s girls—Zapuche girls.

To be fair, Angel goes “urgh” right alongside me. But she’s now on the hunt for the Tenth Girl, who she and Mavi have both decided is the little ghost girl who is not an Other.

She eavesdrops. She visits the “sick” girl, Sara, who sees Angel even in her ghostly invisible intangible form and declares as Dom did, you can not have me. Apparently, Sara’s eyes have been opened, but at what cost? She is not well at all and is refusing to eat or sleep.

Angel flees and runs into the ghost girl. The ghost girl is anomalous because she is visible to all, but is also obviously a ghost. She is not an Other, and Angel tells her Angel knows she’s the tenth girl.  (writer sleight of hand? Or is this actually true and not just what Angel believes. I’m leaning toward Mavi being the tenth girl somehow.) The ghost girl doesn’t give Angel the time of day, telling her she won’t talk to her kind, before lunging out a window and falling into the icy craters below. She’ll be back.

Chapter 15: Mavi

Problems continue to plague the school. It’s freezing cold and the food has gone to hell—no more gourmet plates for anyone there. Mr. Lamb has suffered a heart attack outside and been brought in to recover. Sara has supposedly recovered and is back in Mavi’s class, but her favorite student, Michelle, is now ill and absent.

And Sara… well, Sara is not herself. She is cruel, crass, and terrifying, and the lesson is abruptly ended.

Mavi goes to see Michelle. Michelle worries her and tells her “When I’m awake I feel this ice in my bones. It’s easier to sleep but I don’t get any rest when I do. I—I go to this… place… It shines like scales and there are other people there. She’s okay, Mavi,” she whispers, a weak grin spreading across her face.

So I’m still stuck in SF territory in my head, and given Sara’s abrupt change coupled with her previous terror of sleep and not being taken… I am almost wondering if this is some sort of process to hollow the girls out and put new minds in. A technological possession factory, processing souls into the past for some odd reason? I don’t have any clue; it’s just where my mind is going. The Others feed on memory, after all.

Mavi is still at odds with Yesi, ostensibly over Mavi’s “conspiracy” thinking, but seems to be more about her friendship with Dom(Angel). I wonder what hell Dom put Yesi through before Angel took over his body.

Dr. Molina tells Mavi that the girls are dreaming of men coming to them in the night, touching them, and giving them illness. Mavi and Yesi are both appalled, but Molina thinks it’s the virus coupled with group hysteria. Mavi and Yesi both think that Molina should insist on sending the girls home. As she is about to agree, Molina is (to the reader’s eyes) possessed by an Other, who dismisses all concern and leaves a welt on Mavi’s wrist when she touches her.

Furiously unhappy and scared, Mavi goes to dinner, and Dom/Angel smiles at her, which makes her decide to stay. Oops, did you mean that to happen, Angel? She would be better off fleeing.

Chapter 16: Angel 2020-1600

Angel argues with Charon about the tenth girl. He tells her she couldn’t have seen a tenth little girl. Then they argue about Angel’s motivations. Angel makes more vague allusions to her past.

Angel becomes Mavi’s confidant about the Others and the ghost girl. “Dom” tells Mavi he saw the girl too. Mavi tells Dom about the night her mother was taken which is good, except I already knew the big picture, and the details, while nice, don’t really deepen the issue. I’d rather have heard about Angel’s past which is being kept for some grand reveal that, at this point, will probably fall a little flat.

Obviously, her beloved brother Rob died, probably through foul play, potentially at her brother-in-law’s hands, potentially at her own. Seems more likely to be Angel’s if she feels this much shame over it.  Really the big picture moment here is that Angel and Mavi are united in a cause: to help the girls.

Chapter 17: Mavi

Mavi visits Lamb and they discuss ghosts over brandy. Later, Mavi and Dom sneak out of their rooms in the night to visit Michelle’s sick room. Mavi is partially reassured that she’s sleeping peacefully, smiling in her sleep.

Mavi thinks about souls and bodies and how in the end, the bodily features mean nothing at all, which makes me think I might be on the right track with possessing spirits taking full ownership of the bodies in some other space. Other space? Charon ferrying the malevolent dead spirits back into the living bodies? To what purpose?

Also Mavi gets a clue that she doesn’t understand at the moment: a glow that suffuses Dom’s skin, a febrile touch of his hand, hotter than normal (shades of Dr. Molina?) a sign that Angel is in residence?

On their way back to their rooms, an Other briefly possesses Mavi, walking her body along. A lot of medical imagery here: pincer, rubber glove, oculus (also a pop culture VR system). No wonder I keep thinking SF instead of ghosts.

Mavi shakes them off with Angel’s help, and is horrified. The Others are no longer a theory to her, but a painful, undeniable reality. In her relief, she kisses “Dom”, who tells her she’s drunk and sends her to bed. I really need to think of a way to describe Angel as Dom and Dom on his own. Original Dom? Angel!Dom? Which just looks like a tag on Ao3.

Chapter 18: Angel 2020-1800

Angel is appalled by Mavi’s possession, not just on Mavi’s behalf but witnessing the process from the outside, so to speak.

And that’s really it for the plot, so we finally, finally get another specific piece of Angel’s past. A scene with her mother, drunk after a terrible case where a man killed a little girl. Apparently her mother is in some sort of social service or criminal justice job. I can’t recall if I knew what her job was before.

But somehow this memory prompts Angel to decide to confess who/what she is to Mavi. Later.

Overall, kind of a rough few chapters. I adored Mavi being possessed. I really liked her thoughts on flesh/soul, and while I complained about already knowing how her mother was taken by the government, I loved Mavi’s realization that her mother’s “last words” had been carefully composed for just this occasion.

About halfway through, but I’m definitely going to have to pick up the pace! The book is due back to the library on the 22nd!

The Tenth Girl: Slow read chapters 14-18

The Tenth Girl–Slow Read Chapters 8-11

Chapter 8: Angel 2020-300

This is a game changing chapter. Angel finds Dom mutilating pictures of Mavi, and in her attempts to stop him, finds herself inside him. Possessing him. Exciting!

Chapter 9: Mavi

Angel’s possession of Dom’s body is apparently not a one-off. “Dom” seeks out Mavi and they begin a flirty friendship with multiple secret rendezvous. This can’t end well. Sooner or later, Angel won’t be piloting Dom when Mavi ends up alone with him. Really, this is nothing but trauma waiting to happen. At best, it’s hurt feelings; at worst… well, it’s like Angel is training the deer to approach the hunter.

On the school side, Mavi finally gets the student files from Morency, and it’s a series of tragedies thrown into contrast with the earlier personal essays that barely touched on the realities of their lives. Mavi begins to make inroads with the students—commiserating with Lucinda over her dying mom. And after Michelle has a near-fatal accident when something unseen pushes her on one of the school’s icy, rocky paths, Mavi makes a project of her. Keeping an eye on her, the girl who reminds her of her classmate murdered by her mother’s guerilla fighters.

That’s also not going to end badly.

Chapter 10: Angel 2020-1000

Okay, so first off, I obviously have no idea what those numbers refer to, since it jumps from 300 to 1000. I will have to wait for illumination.

Angel is really doing the heavy lifting regarding the Others and the actual events happening in the school. She’s the one who can see the packs of slobbering Others feasting on the girls. She’s the one who can see that as the ice season progresses, more and more Others arrive. And Angel is the one who has heard the truth about the curse laid on the school: that it can be mitigated each generation by the sacrifice of (of course) a young girl.

In the meantime, things are getting worse. Angel sees the Others possessing the students in a gruesome scene of exaggerated human actions. And she sees the teacher Mrs Hawk in sleep paralysis, aware of and horrified by the Others feeding on her. 

It’s a grim little chapter, full of horror, and the only light spot is her moment with Mavi—which involves them talking about such cheerful things as dead relatives and the nature of ghosts.

Chapter 11: Mavi

Mrs. Hawk abandons ship and flees. Though there is a lot of concern about how, exactly, she left, but Morency and Carmela aren’t discussing it. Also, one of the students—Sara—is sick from the Others’ attentions. Carmela’s fragile mental state becomes a little clearer when Mr. Lamb has a serious case of foot in mouth and suggests one of these girls might be a successor to Carmela’s legacy.

And Mavi finally has “proof” that something very wrong is going on at the school, besides bad feelings, nightmares, when a ghost girl shows up in her room. A pre-teen, who resembles Domenico. And she’s a new anomaly in the book: not whatever Angel is, not an other, but a previous (presumably) victim of the curse. She tells Mavi about the Others, and that Sara’s not sick, but drained. She tells Mavi she should leave and take all the staff and students with her. But Mavi, in the best traditions of horror book protagonists, has a slew of reasons to stay.

But Mavi is now stirred and worried. Yesi is no help, because she’s caught up in the book she’s writing. She talks to Dom. And “Dom” confirms that Mavi didn’t have a nightmare and that Sara doesn’t have a virus.

So she’s even more worried at the end of her chapter.

It’s getting harder to keep myself to a couple chapters at a time.

The Tenth Girl–Slow Read Chapters 8-11

The Tenth Girl Slow Read chapters 6 & 7

I can’t believe I’ve gotten this far without saying, OMG this cover! I love it so much. It may be what first piqued my interest: the school with its deep roots that are somehow rootless anyway. Birds flying above and below, and up close, the background is full of computer coding/gibberish. And all of it in the cool blue of fracturing ice. It’s just excellent. And designed by Jeff Miller, it looks like.

The downside to slow, deliberate reading is that I am easily distracted. By pandemic. By work. By my own glitchy brain. Apparently, my reading style is either “All at once, now now now!” or “huh, I know I was reading something, wonder what it was, oh well,” and picking up a different book* to burn through.

*btw Michelle Birkby’s The House at Baker Street is a good read for those of us who adore Sherlockiana: this case is a mystery solved by the team of Mrs. Hudson and Mary Watson. The tone is spot on, the mystery is gripping, the characters feel well fleshed out, yet recognizable as the characters Conan Doyle created. Holmes and Watson are nicely themselves even if they’re mostly swept off the page. I will definitely read more books by Birkby. This book was right up there with Lyndsay Faye’s The Whole Art of Detection.

Anyway, back to The Tenth Girl.

Chapter 6: Angel 2020-200 : Angel shows up at the breakfast, realizes that she is the only ghostly presence there, and takes the opportunity to eavesdrop on all sorts of conversations. As a method of giving the reader information we weren’t privy to from Mavi’s POV, it’s excellent.

Again, we get the invocation of the mysterious, increasingly ominous “Tenth Girl”—this time when Morency (the unpleasant head of household with her baseless grudge against Mavi) brings the girl up to Carmela as a bad idea–part of Carmela’s greater cause.

We learn more of Angel’s past; we meet her sweet-natured younger brother Rob, her older, arrogant half-sister Liese, the jerk that Liese married. It’s a family disaster waiting to happen, and if Angel’s committed some terrible act of violence, I have a candidate I’m willing to nominate to be her victim.

As an aside, I think this is why I’m not as hooked into her character as I am Mavi’s. These disasters are already in Angel’s past. They’ll be revealed to us, but they’re already done. Mavi’s problems, however, are currently happening which gives them an urgency. Of course, really, Angel’s story is the current one and Mavi is in 1978? I don’t know. My brain persists in thinking that Mavi is current and Angel is the past. Books with characters from two times are always tricky for me. The last one I read that worked well for me was Simone St. James’ The Sun Down Motel.

Unsettled by her memories, Angel decides to teach Mavi’s bratty students (who remind her of her own family bullies) a lesson by haunting them. Some vicious, strong Others nearly drop a roof on the girls. Angel sees the Others and sparks out—the ghost version of blacking out? Or did the Others yank her life energy away from her?

As much as I am not sold on Angel’s character, I am 100% sold on Faring’s writing. This opening section has so much wonderful imagery in it that it’s just flat-out pleasurable to read. There is Angel’s musing that food to her is “now as edible as crumbling plaster moldings”, or the alarmed quiver that strikes her “jelly-thick as an electric eel”, or the amazingly predatory description of Carmela de Vaccaro’s mouth as she withholds information from her loyal minion.

Faring has a way with making villains super-unlikable with one or two lines. First, I hated Domenico de Vaccaro for mocking Mavi’s appetite, and now I hate Angel’s brother-in-law. Not only does he smack Angel around, but he tells her to “learn your place, kid” and holds gratitude over two orphans’ heads. It’s an economic trifecta of terrible.

I’m trying to figure out what the numbers on Angel’s chapters represent. The first one was 2020-0, the second was 2020-100, and this one is 2020-200. So presumably the year plus…? Right now the tag numbers remind me of class levels. Basic haunting, haunting 101, midlevel haunting…

Chapter 7: Mavi, Argentina, March 1978. Mavi meets up with sympathetic fellow teachers at lunch. She and Yesi play a very similar game to the mean-spirited students. Instead of playing “What might have become of the tenth girl, Miss Quercia?”, Mavi and Yesi play, “What is Carmela’s real motive for opening this horrifically isolated school?”

But their game lacks viciousness—they don’t intend their target to hear it, and their imaginings are more absurd than violent.

At the core though, it’s still the same game. Another teacher—Mole, as Yesi dubs her—flattens the fun by giving telling them Carmela has lost her daughter to an unnamed illness and has retreated from the world to mourn.

 Mavi grades her students’ English essays and the reader gets snippets of five of them; it’s quickly clear that there is a lot of unpleasant stuff going on in her students’ home lives. Plus, the cracks are beginning to show in the de Vaccaro family façade: Carmela treats Morency with casual contempt, despite her devotion, belittles her in front of the school as head of household and a third-generation family servant. For Morency, who prides herself as a partner, this is cruel. Domenico has nothing to do and spends most of his time stoned and hateful.

At dinner, Mavi presses for answers on the tenth girl and gets shut down by the loyal, aggressive Morency. But Carmela says she’s been ill and will arrive shortly. Given this in conjunction with Carmela’s dead daughter, I find myself wondering if the Tenth Girl is Carmela’s daughter. In the world of haunted houses and time ghosts that feed off the past living, why not?

Mavi, for reasons that elude me and feel a little contrived, decides to follow Domenico to his rooms (even though he’s been nothing but hateful to her and any sensible girl would treat him like a scorpion and avoid him). But it’s great from a plot point because Domenico has secrets and troubles like whoa.

He seems aware that he’s being watched and followed and says:

“Don’t follow me. Don’t touch me.” …..

“I know what you are, and you disgust me,” he says, “You’re hollow at the core. But having me won’t help you. I’m nothing but a bad memory given shape by a disgruntled God.”

And he shuts the door.

p. 105

And oh Domenico, there’s a lot to unpack in his little rant. It feels like he’s talking to the ghosts, more than to Mavi—though poor Mavi takes it personally. Apparently Domenico has a strange self-image. It’s one thing to have a bad self-image, to consider yourself a mistake or an abomination or whatever terrible thing we might label ourselves. But a bad memory? That’s a strange label to apply. I can’t wait to see what’s going on with him. That’s the plus of him being so unlikable; I’m interested in his situation, but not concerned.

Mavi slinks off to seek solace with Yesi, but Yesi is working. Mavi ends up lost in her own memories: revisiting the moment when she learned that her mother and her mother’s guerillas were responsible for the death of one of Mavi’s classmates— a young girl who resembles one of her current students.  Yet another type of horror; the emotional haunting of a bad memory constantly revived by a young girl who can have nothing to do with the original event.

So that’s chapter 6 & 7. I’ll be honest, I’m a little further ahead than that, but I don’t want these slow read accounts to be endlessly long. But there are some strange changes ahead to discuss!

The Tenth Girl Slow Read chapters 6 & 7